Theoretically, at least, the legal impact of section 303 would be far reaching. Under it, every “original work of authorship” fixed in tangible form that is in existence would be given statutory copyright protection as long as the work is not in the public domain in this country. The vast majority of these works consist of private material that no one is interested in protecting or infringing, but section 303 would still have practical effects for a prodigious body of material already in existence.
Looked at another way, however, section 303 would have a genuinely restrictive effect. Its basic purpose is to substitute statutory for common law copyright for everything now protected at common law, and to substitute reasonable time limits for the perpetual protection now available. In general, the substituted time limits are those applicable to works created after the effective date of the law [
A special problem under this provision is what to do with works whose ordinary statutory terms will have expired or will be nearing expiration on the effective date [
2010—Subsec. (b). Pub. L. 111–295 substituted “any musical work, dramatic work, or literary work” for “the musical work”.
1998—Subsec. (a). Pub. L. 105–298 substituted “
1997—Pub. L. 105–80 designated existing provisions as subsec. (a) and added subsec. (b).